The EBPC is proud to organise exciting ceramics events each year at the Trophy Exhibition.

​This year's exhibition saw a number of pottery event 'firsts' in the west, with: an honorary display of the finest Japanese bonsai pottery ever displayed outside of Asia, the first pottery painting demonstration by a leading Japanese artist, the first display of winning American pots in Europe, and not to mention of course, the first European Bonsai Pottery Contest!

The pot display, was a celebration of the passion of both European potters and collectors. ​At almost 200ft in length, the pot display consisted a central 'honorary' display, with the European Bonsai Pottery Contest to one side, and a 'collector' category on the other. ​

With the significance of bonsai ceramics witnessing an ongoing surge in the West, the 13th of September 2025 saw the birth of the first International North American Bonsai Pottery Contest (NABPC) in Rochester, New York.

The NABPC was a celebration of the art, and the ceramics displayed are truly something to behold. It has been a pleasure to witness such commitment and dedication to the art, by both the extraordinary artists, and by the facilitators of the event.

Included in the display were ceramics by two ‘Honorary’ EBPC members. 
Roy Minarai created an exciting display in the honorary display category, and Anthony Smith of Willow Bonsai was awarded 1st place in the ‘contemporary glazed’ category, as seen below. 

Artists from across America and Canada produced very impressive entries for the following categories:

In addition to the sensational pot contest, visitors were treated to the non-competitive ‘honorary exhibits’ from a selection of celebrated ceramicists, including: Gayle Fiato, Roy Minarai, April Grigsby, Sara Rayner, and by French artist, The Ghost Potter.

Bonsai has a habit of creating lifelong friendships and strong bonds are often formed within the bonsai community, so when the community loses cherished friends and artists, it is always strongly felt by many.

Tribute displays were also created to honour and remember three such friends; Nick Lenz, Pauline Muth, and the U.K.’s Andrew Pearson of Stone Monkey Ceramics.

Judging a contest with such a varied and impressive selection of entries is no easy task. Being both functional items, and pieces of art in their own right, the ceramic entries displayed high levels of technical ability, combined with a deep appreciation of both bonsai and the ceramics they require. A spectacular display of workmanship, creativity and utility.

Bonsai as an artform is ever evolving, and whilst understanding and respecting the traditions that underlie bonsai is important, innovation and progression of bonsai ceramics is also to be encouraged and celebrated.    

The display encompassed a diverse range of artistic styles, forms and finishes, which was exciting to see, as it reflects the diverse range of bonsai trees and styles we cultivate and enjoy. Majestic and elegant traditional forms, expressive glazes, and some highly creative modern designs and interpretations. I would encourage anyone to spend a little time viewing all of the entries, through the links above.

After careful deliberation by a panel of esteemed judges, the winners were announced to much anticipation. Winning pots were lauded for their originality, craftsmanship, and functionality as a bonsai container.

First Place

•      Antony Smith (Contemporary Glazed)
•      Doug Trythall (Contemporary Unglazed)     
•      Nao Tokutake (Traditional Glazed)
•      Nao Tokutake (Unglazed)  
  

Second Place

• Stacy Allen Muse (Contemporary Glazed)
• Denise Soultanian (Contemporary Unglazed)
• Mary J. Lai (Wife of Nao Tokutake, Traditional Glazed)
• Mary J. Lai (Wife of Nao Tokutake, Traditional Unglazed)

 
Third Place

• Justine Stelmach (Contemporary Glazed)
• Thomas Adcock (Contemporary Unglazed)
• Kenneth V. Hanna (Traditional Glazed): 
• Mark Hanner (Traditional Unglazed)

The ABS Exhibition and the NABPC contest take place every two years, with the next edition in 2027. If you can't wait until then for more great bonsai pottery, don't miss the Trophy's European Bonsai Pottery Contest 28th March - 1st March 2026. 

We are delighted to announce that some of the winning pots from this NABPC will also be displayed at The European Bonsai Pottery Contest at The Trophy, in Belgium, as honorary exhibits for all to appreciate and enjoy. The winning pots from The Trophy’s EBPC pottery contest will also have the opportunity to be displayed at the NABPC in New York.

This collaboration between the NABPC and the EBPC & The Trophy reflects the friendship and support often found in bonsai, and we are confident it will inspire potters and further strengthen the bonds between our two communities.
 

to all of the potters that contributed to this inspirational contest. Being selected to display at such an event is an admirable achievement and each artist deserves our thanks and admiration. 

Exquisite entries from 33 of Europe's most talented bonsai potters were featured this year, in the EBPC Pot Display at the prestigious 'Trophy Bonsai Exhibition' over a magnificent 100ft display.

The quality and diverse variety of entries this year was particularly impressive, with entries ranging from the classical styles, to cutting edge techniques and  contemporary themes. We will look at the display in full in another article. 

​ The winning entry was this striking wide-rim ceramic pot with a Lotus-shaped form and bespoke wooden base, by Fukurou Ceramics of Switzerland.

The pot has a wonderful blue/green aquamarine glaze, with impressive crystal nucleation​. The lower part of this piece is an intricate, structurally designed wooden base that the pot inserts seamlessly into. Also made by the artist, the structure and inlay technique used here, further showcase his exceptional and varied talents.

... From Fukurou's EBPC Potter Profile: 
'Fukurou Ceramics are the bonsai ceramic creations of Patrik Luthi, a gifted artist from the picturesque country of Switzerland. These high-quality handmade pieces have a touch of the Japanese aesthetic, yet retain a distinctive ‘Fukurou’ style. Designs are inspired by classical forms and are very suitable for use with good quality bonsai trees. ‘As with bonsai, I feel mostly attracted by the traditional pots, but love to develop new glaze recipes and new shapes.’
 
Being the grandson of a woodsman, and having grown up around the woods, mountains and lakes of Switzerland, Patrik has always had a close affinity with nature and has kept bonsai for over a decade. Studying at the renowned Kitoras Bonsai School under Nicola Crivelli, Patrik has developed a keen eye for bonsai design and aesthetics – an essential requisite for creating high quality bonsai ceramics.  
 
Pots are mostly thrown on a potter’s wheel, or slab built and come in a variety of forms. Unglazed wares come in a range of clays, including a wonderful dark grey, and a reddish-brown clay. No commercial glazes are used, as Patrik enjoys experimenting and creating exciting new glazes.'

Thank you to Patrik, and all of the talented artists that contributed to the magnificent display of bonsai ceramics this year. 
Please look out for the coming post on the Pot Display. 

Thank you for following and supporting the EPBC.


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​Many of the best trees in the U.K. were on display as well as suiseki and bonsai ceramics. The traders area was a treat for enthusiasts and traders alike, with trees from some of the UK's leading bonsai nurseries, pot dealers, potters, sellers of tools and everything else a bonsai aficionado could want! 

For a better idea of what was on display, Sylvestris Studios were comissioned to create a video documentary of the show, which is definitely worth a watch.
​ You can find it here. ​

The EBPC were asked to put on a bonsai pot display, which this year was in the theme of cascades. 'The Ups and Downs of Bonsai'.  
Here are just a few pics (didn’t get a minute to get more!) of the day and of some of the pot display.  It was great to meet up with old friends as always.

​ … pictured above - Les Storey with one of his winning trees, a stunning blackthorn in a gorgeous Stone Monkey pot … an excellent windswept Hawthorne display by Russ Farley, displayed on a table by DR Bonsai Tables … and I was nursed back to health by frog boy, Simon Haddon of Sukteki bonsai pots

A few of the pots on display .. 

​A few people were heard saying that this was the best show in the UK to date, and the quality, not only of the trees, but also of the intricacies of display, was very impressive. It is quite obvious from the exhibition that British enthusiasts are paying more attention to quality pot, stands, accents and display details. With some of the displays being at a high standard for a show anywhere in the world. 

www.EuropeanBonsaiPotterCollective.com

In just 10 days from now, Europe’s most prestigious bonsai exhibition, 'The Trophy International Bonsai Exhibition' returns, after 2 years of being postponed due to Covid.  

​
The EBPC has once again arranged for you, Europe’s largest display of exquisite bonsai pots. A 100ft display, this year featuring the ‘Best in European Bonsai Ceramics’! .. Not to be missed!

Please also visit us at the EBPC Trade stand, where we will be hosting a few EBPC member artists and have some excellent bonsai ceramics available for sale.

We can’t wait for all this exciting weekend has to offer, including catching up with everyone!
We hope to see you there!

The Trophy by Bonsai Association Belgium
European Bonsai Potter Collective
#ebpcpots #Europeanbonsaipottercollective #TheTrophy #bonsaiexhibition #bonsaipotdisplay #potdisplay

A special thank you to the potters that donated pots for these EBPC 2021 GAMES. 

This was GAME 2. Please look out for & participate in the upcoming votes for GAME 6 and GAME 1! 
And finally a huge thank you to everyone for your support over the past 5 years, and for voting & sending in your photographs for these 2021 GAMES.

One of the very best Bonsai Exhibitions on the European circuit is now over again for another year - but what a weekend it was! 
Here is a brief overview of parts of the show from the EBPC perspective. 

The EBPC trade stand, as in previous years, is quite imposing at 30ft in length and is beautifully positioned, directly opposite to exhibition trees, yet with maximum space for enthusiasts to browse in comfort.  Pots by over 20 EBPC member potters were available on the stand, the main focus this year was on new pots by: Bryan Albright, Ian Baillie, Me & Raimondi, Guerao and Walsall Studio Ceramics. 

The EBPC had on offer a variety of fantastic new pots from many of europe's leading potters, and enjoyed a very fun and successful weekend trading. We would like to thank not only our customers, both returning and new, but also the fantastic EBPC potter members for creating such wonderful pots especially for the EBPC and its customers; many great pieces were snapped up, and we look forward to seeing more photographs soon in 'Trees in EBPC pots'!  (Please don't forget to send them in! )

In recent years at high level shows such as this, there has been a noticeable increase in the quality of not just the trees, but also the bonsai pots chosen. Many more bonsai artists and hobbyists are learning to appreciate the intricate attributes of high quality bonsai pots and the benefit of their appropriate use.
​
This year, a large number of the trees in the exhibition were in high quality European bonsai pots, in addition to Japanese or antique Chinese containers, which made selecting the 'EBPC Best Match European Pot and Tree' winner a difficult task. After much deliberation however, three of the EBPC member potters and myself all agreed on the eventual outcome. 

Which were your favourite Pot / Tree combinations?

This award focuses on the best combination of pot with tree, rather than the best tree or pot in themselves. Myself and 3 EBPC member potters were looking for a balanced harmonious coupling of tree and pot, whereby the pot enhances the overall image and characteristics of the tree, without being an overriding focal point in itself. 
As can be seen above, many of the trees were beautifully paired with their European pots, so this was a difficult call to make, however, each of the judges were in agreement on the winner - this beautiful Ulmus Carpinifolie in a shallow rectangular Bryan Albright bonsai pot by Martin Nielson of Denmark. 

An explanation of our thoughts ... 
- The width of the pot is perfect; it does not 'clash' with the foliage by being the same width, and as the tree is taller than it is wide, the pot width is less than the width of the foliage spread, and by just the right amount.
- The shallow profile of this pot gives this composition a landscape impression of a tree in an open field.
- The shallow pot depth also enhances the trunk of the tree. 
- The straight lines of the rectangle balance the composition and harmonise with the feminine characteristics of the tree.
- This shape does not clash with the round foliage mass as a round pot might.
- The soft glaze in blue with hints of light browns compliments beautifully the colours of the autumnal turning leaves. 
- The 'shibui' form of the pot, together with this soft yet vibrant glaze, do not overpower the tree - but act to emphasise the trunk and the beautiful colour within the well ramified foliage mass. 

The Trophy for this category was made by the fantastic potter; EBPC member, Sabine Besnard and depicts a 'pot & Prunus mume branch in flower,' sculpted from clay and mounted on a beautiful piece of hardwood, with laser inscribed lettering and the stamp marks of Sabine Besnard and the EBPC. 
 

This has covered of course just a fraction of what was on offer at this great exhibition. As a trader it is hard to see or record all of the show, and I was unable to look in on for example the demonstrations by world-leading bonsai artists; Bjorn Bjorholm, Raffael Torres and Jan Culek, although im sure you will find many other blogs about those. 

There were also around 10 EBPC potter members trading themselves, and it was wonderful to catch up with them and our customers and friends from around Europe. A final thank you must go out to the incredible organisers of this event, Fred and Stephanie Chenal, whose tireless work throughout the year make it possible for so many to gain enjoyment from such a well organised and friendly event. ... See you next year!

www.EuropeanBonsaiPotterCollective.com

     The EBPC are very excited to be attending and supporting one of Europe's premiere shows, and one of our personal favourites - the EBBS in Saulieu France next weekend. This is an open hall exhibition with everything in one enormous room. The ex-cattle market has imposing vaulted ceiling beams and ample light flooding in, making it an ideal venue. 
This exhibition has improved year on year and the standard of trees, demonstrations and traders is superb. The organisers have also done an incredible job creating a show with a warm friendly atmosphere. 
With many of Europe's finest trees on show, and demonstrators on the level of Bjorn Bjorholm, Mauro Stemberg, and Jan Culek, including many other attractions (superb new EBPC pots for example!) this is a show not to be missed!  

A beautiful handmade EBPC trophy kindly made by leading ceramist Sabine Besnard of France will be awarded to the winner of the category 'Best European Bonsai Pot and Tree Combination'. ​ The trophy is of an Ume branch in flower ,with a matching bowl on wood, and is laser etched and has both the stamps of Sabine and the EBPC.

As with each year, the EBPC will also donate a prize for the increasingly popular 'Tombola raffle'. This year a stunning pot by the fantastic and highly skilled artist, Ian Baillie of Scotland will be donated and taken home by one lucky winner. 

We are especially excited about the EBPC trade stand this year, as we ave had some fantastic new pots in especially for this event, by some of the most sought after artists in Europe! .. Be sure to stop by the stand and say 'hi'!

Thank you for reading and we hope to see you there! 
Alex

The EBPC has supported this show since we formed in 2016, and with over 200 pots and 28ft of trading space, we were sure to arrive early as setting up takes quite some time. Heathrow show has a large main room for the exhibition and tree sales, and another room for traders of pots and dry goods. 

As always the EBPC pots proved extremely popular and some superb pieces were snapped up by customers old and new. Some great new pots were also collected from some of the potters, which will be available in the EBPC shop soon. 

I was also display trees with Maidstone Bonsai Society. Below are a few of my trees in our display, including my Olive which took joint 1st place in the exhibitor's vote. (The other joint 1st went to another Maidstone club member, Dean, with his beautiful Kokonoe Pine that can be seen behind.)