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The reflective glazes of Sabine Besnard

18/12/2023

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A reflection of nature .. 

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The tones and textures of nature have always been the main inspiration for Sabine Besnard's glazes. Together with her husband Francois, glazes are created and recreated, often experimenting for months, until the desired effects are realised. 
Below is a catalogue of the wonderful glazes of Sabine Besnard's ceramics.   
​I hope you enjoy these as much as we have. 

Okinawa 

'Okinawa is an archipelago of Japanese islands in the Pacific, the turquoise of the water and the multitude of islets remind me of the nucleations of this enamel.
Okinawa enamels are nucleation enamels that on a turquoise or indigo blue base have small concentric crystals of dark color. In a bonsai pot, you must put a tree that remains the focal point, so a tree that by its colors of foliage or flowers or its beauty is not crushed by the pot. ​It is an enamel that varies from blue to black and it is the balance between the two that is sought, moreover it tends to sink. A capricious and surprising enamel that explains the price of the most successful Okinawa pots.' 
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Lichen

One of the last enamels we have developed, Lichen has a green background with black nucleations that sometimes turn white. If it is laid very thin it becomes pale blue but very thick it is black. A curiosity that allows you to create landscapes with a single enamel.
This glaze is matte, and the thickness-induced multi- colour variations,
result in very unique pots, that fit well with deciduous trees.
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Yuki d'Or Bleu

​New Blue Gold Yuki Enamel
With such oak ash glazes, you can see the different crystallisation effects of Yuki enamel. Yuki means snow in Japanese. It has a green or blue background dotted with small golden yellow crystallisations. It is a glossy glaze with very natural and discreet colours.
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Yuki d'or Vert

​New Green Gold Yuki Enamel
With such oak ash glazes, you can see the different crystallisation effects of Yuki enamel. Yuki means snow in Japanese. It has a green or blue background dotted with small golden yellow crystallisations. It is a glossy glaze with very natural and discreet colours .
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Kaki / persimmon

This glaze was traditionally used in Japan for many centuries, it is made with a lot of iron oxide that give this bright orange/red and metallic black dots.
​This glaze is brilliant and is still used for bowl and Chawan coloration in Japan.
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Lavender Blue Song 

​A glaze that recalls the ceramics of the Song period (12th China) with cracks that gives an antique pot appearance with a very discreet pale blue colour.
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Old White Song 

 A glaze that recalls the ceramics of the Song period (12th China) with cracks that gives an antique pot appearance with a very discreet pale cream colour.
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Grey Song 

An enamel that recalls the ceramics of the Song period (12th China) with cracks that gives an antique pot appearance with a very discreet pale gray color.
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Murasakino

A striking glaze with purple and pink nucleations on a dark blue background.
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Blue song on black sandstone

The Song dynasty was present in China from the 10th century. Song ceramics are known for their sober and refined aesthetics, as well as simple and elegant shapes. This blue enamel with slight color variations reminds us of these old ceramics.
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Komacu

A shiny turquoise to water green enamel whose white micro-crystals evoke snowflakes.
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Mint Green

A beautiful bright green enamel that contrasts matte black parts with ochre. Works with most deciduous trees.
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Komori

An enamel with white and black crystal nucleations, on a matte blue to green background. 
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Black Ochre 

A glaze that gives particularly interesting effects. Placed on black earth it can be bright green but also orange-beige to matte black. An enamel that of course can highlight hardwoods but that we also offer for junipers or pine trees with particularly interesting results. A proposal off the beaten track but worth trying.
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Ochre Green 

A bright green glaze with more matte ochre and black parts.
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Serene Satin

An enamel with pink nucleations on a turquoise blue background.
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​Thank you for viewing the glazes of Sabine Besnard Céramiques. 

New pots will be in-store Wednesday 20th December 2023. @ 18.30 G.M.T.
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March 06th, 2023

6/3/2023

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A selection of magnificent pots in-store now by the wonderful Sabine Besnard Céramiques.
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These wonderful pots, handmade in France, have some beautiful unglazed finishes and excellent glazes including; Okinawa, Mursakino, Lichen, Translucent Crackle Green.

Check them out in-store NOW!      -  https://europeanbonsaipottercollective.ecwid.com/EBPC...
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The square cascade will remain in the EBPC collection, an excellent Okinawa glaze, similar in design to Sabine’s superb entry to the The Trophy by Bonsai Association Belgium EBPC Pot Display (posts on the pot display coming soon! 
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​
#sabinebesnard #sabinebesnardceramics #ebpcpots #pottery #bonsai #bonsaipots #Europeanbonsaipottercollective #bonsaitree #crystallineglaze #bonsai #盆栽 #盆栽鉢
Www.europeanbonsaipottercollective.com


Thank you for helping support great European Bonsai Pottery!
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Winners & Prizes      - Game 2 EBPC 2021 GAMES

13/4/2022

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CONGRATULATIONS to the 3 winners of GAME 2 
‘Best Tree and (EBPC Member) Pot COMBINATION’  

To celebrate the EBPC’s 5th birthday this year, the EBPC 2021 GAMES were compiled, with superb prizes across a few games.
 
Here are the WINNERS and PRIZES for GAME 2!


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​THE WINNERS



1st Place - Jean-Pierre Reitz, Fr. 

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​1st Place Prizes

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Congratulations Mr. Reitz!

 
​- 2nd Place - Matt Williams, U.K.

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​
​  2nd Place Prizes

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Congratulations Mr. Williams!

- 3rd Place - Bruno Wijman

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​  3rd place prize

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​Congratulations Mr. Wijman!



A special thank you to the potters that donated pots for these EBPC 2021 GAMES. 

This was GAME 2. Please look out for & participate in the upcoming votes for GAME 6 and GAME 1! 
And finally a huge thank you to everyone for your support over the past 5 years, and for voting & sending in your photographs for these 2021 GAMES.
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European Bonsai San 2019  - An EBPC Perspective

16/10/2019

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One of the very best Bonsai Exhibitions on the European circuit is now over again for another year - but what a weekend it was! 
Here is a brief overview of parts of the show from the EBPC perspective. 


Although an 18 hours round trip (driving) from London, the EBPC always supports this great event, which brings together friends, enthusiasts, and some of the best bonsai trees from across Europe. Set in beautiful French countryside, the exhibition is in one large open room, with huge vaulted ceiling beams like the hull of a ship, and high windows that allow light to flood in; perfect for viewing some of Europe's finest specimen bonsai and catching up with friends and other enthusiasts that visit from every corner of the globe!

EBPC Trade Stand

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The EBPC Trade Stand EBSS '19
The EBPC trade stand, as in previous years, is quite imposing at 30ft in length and is beautifully positioned, directly opposite to exhibition trees, yet with maximum space for enthusiasts to browse in comfort.  Pots by over 20 EBPC member potters were available on the stand, the main focus this year was on new pots by: Bryan Albright, Ian Baillie, Me & Raimondi, Guerao and Walsall Studio Ceramics. 
Nanban pots by Bryan Albright of England.
Pots by Ian Baillie of Scotland.
Pots by Me & Raimondi of Slovenia.
30 foot of great pots by many of Europe's greats.
The EBPC had on offer a variety of fantastic new pots from many of europe's leading potters, and enjoyed a very fun and successful weekend trading. We would like to thank not only our customers, both returning and new, but also the fantastic EBPC potter members for creating such wonderful pots especially for the EBPC and its customers; many great pieces were snapped up, and we look forward to seeing more photographs soon in 'Trees in EBPC pots'!  (Please don't forget to send them in! )

EBPC Focus: EBSS Exhibition trees in European made bonsai pots

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EBPC member Sabine Besnard with the incredible trophy she made.
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Winning tree - EBPC Award for 'Best Match European Pot and Tree''
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Martin Nielson receiving the award EBPC for 'Best Match European Pot and Tree'
In recent years at high level shows such as this, there has been a noticeable increase in the quality of not just the trees, but also the bonsai pots chosen. Many more bonsai artists and hobbyists are learning to appreciate the intricate attributes of high quality bonsai pots and the benefit of their appropriate use.
​
This year, a large number of the trees in the exhibition were in high quality European bonsai pots, in addition to Japanese or antique Chinese containers, which made selecting the 'EBPC Best Match European Pot and Tree' winner a difficult task. After much deliberation however, three of the EBPC member potters and myself all agreed on the eventual outcome. 

A selection of the trees in European pots we admired or found interesting:
Which were your favourite Pot / Tree combinations?

EBPC Award for the 'EBSS Best Match Bonsai Pot and Tree 2019'

This award focuses on the best combination of pot with tree, rather than the best tree or pot in themselves. Myself and 3 EBPC member potters were looking for a balanced harmonious coupling of tree and pot, whereby the pot enhances the overall image and characteristics of the tree, without being an overriding focal point in itself. 
As can be seen above, many of the trees were beautifully paired with their European pots, so this was a difficult call to make, however, each of the judges were in agreement on the winner - this beautiful Ulmus Carpinifolie in a shallow rectangular Bryan Albright bonsai pot by Martin Nielson of Denmark. 

An explanation of our thoughts ... 
- The width of the pot is perfect; it does not 'clash' with the foliage by being the same width, and as the tree is taller than it is wide, the pot width is less than the width of the foliage spread, and by just the right amount.
- The shallow profile of this pot gives this composition a landscape impression of a tree in an open field.
- The shallow pot depth also enhances the trunk of the tree. 
- The straight lines of the rectangle balance the composition and harmonise with the feminine characteristics of the tree.
- This shape does not clash with the round foliage mass as a round pot might.
- The soft glaze in blue with hints of light browns compliments beautifully the colours of the autumnal turning leaves. 
- The 'shibui' form of the pot, together with this soft yet vibrant glaze, do not overpower the tree - but act to emphasise the trunk and the beautiful colour within the well ramified foliage mass. 
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The Trophy for this category was made by the fantastic potter; EBPC member, Sabine Besnard and depicts a 'pot & Prunus mume branch in flower,' sculpted from clay and mounted on a beautiful piece of hardwood, with laser inscribed lettering and the stamp marks of Sabine Besnard and the EBPC. 
 
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We offer a huge thank you to Sabine for making this wonderful award, and congratulations to Martin, who not only won this award for this tree, but also that of 'Best Bonsaist', which takes into account the techniques and dedication required along the incredible 20 years journey in creating this bonsai from collected material.

This has covered of course just a fraction of what was on offer at this great exhibition. As a trader it is hard to see or record all of the show, and I was unable to look in on for example the demonstrations by world-leading bonsai artists; Bjorn Bjorholm, Raffael Torres and Jan Culek, although im sure you will find many other blogs about those. 

There were also around 10 EBPC potter members trading themselves, and it was wonderful to catch up with them and our customers and friends from around Europe. A final thank you must go out to the incredible organisers of this event, Fred and Stephanie Chenal, whose tireless work throughout the year make it possible for so many to gain enjoyment from such a well organised and friendly event. ... See you next year!
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www.EuropeanBonsaiPotterCollective.com

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European Bonsai San Exhibition (EBBS) at Saulieu - Next weekend, the 12th/13th October 2019!!

6/10/2019

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     The EBPC are very excited to be attending and supporting one of Europe's premiere shows, and one of our personal favourites - the EBBS in Saulieu France next weekend. This is an open hall exhibition with everything in one enormous room. The ex-cattle market has imposing vaulted ceiling beams and ample light flooding in, making it an ideal venue. 
This exhibition has improved year on year and the standard of trees, demonstrations and traders is superb. The organisers have also done an incredible job creating a show with a warm friendly atmosphere. 
With many of Europe's finest trees on show, and demonstrators on the level of Bjorn Bjorholm, Mauro Stemberg, and Jan Culek, including many other attractions (superb new EBPC pots for example!) this is a show not to be missed!  
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A beautiful handmade EBPC trophy kindly made by leading ceramist Sabine Besnard of France will be awarded to the winner of the category 'Best European Bonsai Pot and Tree Combination'. ​ The trophy is of an Ume branch in flower ,with a matching bowl on wood, and is laser etched and has both the stamps of Sabine and the EBPC.
As with each year, the EBPC will also donate a prize for the increasingly popular 'Tombola raffle'. This year a stunning pot by the fantastic and highly skilled artist, Ian Baillie of Scotland will be donated and taken home by one lucky winner. 
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We are especially excited about the EBPC trade stand this year, as we ave had some fantastic new pots in especially for this event, by some of the most sought after artists in Europe! .. Be sure to stop by the stand and say 'hi'!
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Thank you for reading and we hope to see you there! 
Alex
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EBPC Thrilled to welcome leading French ceramist; Sabine Besnard!

1/2/2018

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We are very excited to welcome a wonderful potter from France; Sabine Besnard!

Sabine creates a diverse range of stunning ceramics for bonsai, shitakusa and Ikeabana. 
If you are not aware of her work -
Check out Sabine's 'potter profile' here     -    and her pots in the EBPC webstore !
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    Author

    Articles are written by Alex Rudd unless otherwise stated.

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  • Home
    • Blog
    • Bonsai Events >
      • EBPC Trading at ..
      • EBPC Pot Talks
      • Bonsai Exhibition Calendar
      • EBPC SPONSORED EVENTS
    • Contact
    • About the EBPC >
      • MEET THE TEAM
      • EBPC in the Media
  • Education
    • GLOSSARY of terms
    • ARTIST PROFILES >
      • TABLE & DAIZA MAKERS >
        • Doug Mudd Bonsai Tables
        • D. R. Bonsai Tables
        • Ikigai Bonsai Stands
        • Imbo Bonsai Tables
        • Sandro - Kawasemi Studios
      • 'Honorary' EBPC Members >
        • Koho - Japan
        • Roy Minarai - U.S.A.
        • O-Yaku - Israel
        • Shuuhou - Japan
        • Willow Bonsai - S. Africa >
          • Willow - Process
      • POTTERS - Belgium >
        • Flow Studio
      • POTTERS - Czech >
        • Tom Benda
        • Jiri Konopac
        • K.M Bonsai Pots
        • ​Miroslav Znamenáček
      • POTTERS - Denmark >
        • E.B.L. Pots
      • POTTERS - France >
        • Amdouni Bonsai Pots
        • Bruno Auvinet
        • FURO - Florent Coirier
        • Greg Ceramics
        • Lotus Bonsai Studio
        • Pierre Rousseau
        • Sabine Besnard
        • Terre en Vadrouille
      • POTTERS - Germany >
        • M.B.Bonsaischalen
        • Englert Keramik
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        • Walter Venne
      • POTTERS - Greece
      • POTTERS - Italy >
        • Igor Carino
        • Shibusa Bonsai Pots
        • Yaruki Ceramics
        • Vasart Bonsai
      • POTTERS - Spain >
        • Guerao
        • Maidenhair Ceramics
        • M J G Ceramica
      • POTTERS - Sweden >
        • Atelier Bonsai Element
        • Carina Jern
        • Gramming Bonsai Pots
        • Holvila Bonsai Pots
      • POTTERS - Slovakia
      • POTTERS - Slovenia >
        • Me & Raimondi
        • Marjian Mirt
      • POTTERS- Switzerland >
        • Fukurou Ceramics
        • Jürg Stäheli
        • Kawasemi Studios
      • POTTERS - The Netherlands >
        • Michal Mokry
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      • POTTERS - U. K. >
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